Showing posts with label 100 Days of Fantasy 2010. Show all posts
Showing posts with label 100 Days of Fantasy 2010. Show all posts

Tuesday, November 23, 2010

100 Days of Fantasy: Day 100

This concludes my series looking at books that have influenced me as a fantasy author.

War and Peace
by Leo Tolstoy

War and PeaceI have only read War and Peace in the last year, but it not only confirmed some of my own personal thoughts on morality, it also has had quite the effect on my writings.

How could this be so from a book I've just read?

War and Peace is a big novel, one of the longest ever written, so it might turn off some readers because of its length. The novel might also turn off some readers because it was written and initially published in the 19th Century, so the writing might not ring well with the modern reader's ear. And if you're an English reader, you're likely going to have to read a translation from the Russian, which throws in potential other problems.

But for all that, I love this book. It was not a fast read for me, only about 10 pages a day, mainly because I was trying to study everything Tolstoy was trying to accomplish with each scene and the events and the characters.

Tolstoy's themes for this novel about the French invasion of Russia during the early 1800s approaches the Christian, if not outright being about some Christian ideas, and at the least is about morality. With the scope of this novel, Tolstoy's focus is upon various ideas, so don't expect preaching or a simplistic plot. I won't go into all the details, not only because I don't want to give anything away, but because I also want readers to think for themselves instead of me (or anyone else, for that matter) telling them what to expect from such a novel.

Writers can learn a lot from this novel, especially historical fiction writers and those who type away at lengthy, epic tales. The characters, the plot, the background, all is worth serious study here.

Also, I want to add, now that I've come to the conclusion of my "100 Days of Fantasy" series, I want to thank the readers for following me along. I'm considering another, related, series next year, but I'm not giving any clues as to what it will be about. At least not yet. I hope you've enjoyed following my list of 100 books that have influenced me as an author. Thank you.

Monday, November 22, 2010

100 Days of Fantasy: Day 99

This is an ongoing series looking at books that have influenced me as a fantasy author.

Wizard's First Rule
by Terry Goodkind

Wizard's First Rule (The Sword of Truth)Let me say right up front, Terry Goodkind is not my favorite author. He's not even my favorite fantasy author. He's a decent writer, but his prose doesn't blow my mind or anything. His plotting, as well, doesn't do much that's not already been done, nor are his characters all that unfamiliar.

But, admittedly, I say that having only read this one novel written by the man.

And I did, indeed, like the novel.

So, with all my seemingly less-than-stellar evaluation of the author, why do I like Wizard's First Rule.

One reason. The themes behind the tale.

I don't want to go into a whole philosophical history, and I'm definitely not interested in a debate, but Goodkind's writing is based around objectivism, a philosophy of the individual that's sort of a meant to be an atheistic super capitalism (my apologies for objectivists who find this description lacking ... but I'm not going to go on for thousands of words trying to explain objectivism, especially when the reader can check it out at elsewhere). Objectivism originally became somewhat influential through the writings of author Ayn Rand, a favorite author of mine.

One would think that with all my mushy goodness about objectivism that I would be a fan of the philosophy. I'm not. Or, at least, not in whole. I believe it is quite seriously lacking on a lot of philosophical fronts. But, that being said, I do believe objectivism offers a lot of positive aspects, the main one being a strong belief in the individual.

Ayn Rand, being the originator of the philosophy, is still the best writing on the subject matter. Also, she's about the only fiction author of whom I'm aware who has written objectivist literature.

With the exception of Goodkind.

One of the thing's I liked so well about Goodkind's Wizard's First Rule was that I was nearly three-fourths of the way through the novel before I realized, "Hey, this guy's writing objectivist fiction!" I was quite surprised, pleasantly, actually. Not only had I discovered another objectivist fiction author, but I'd found one who actually writes fantasy, one of my two favorite genres (the other being horror).

Now, allow me to backtrack just a little. I realize what I wrote at the beginning of this short article was less than flattering about Terry Goodkind's writing. I do not mean to imply he is an awful writer. No, not at all. But by comparison, he's no Rand.

Besides, he must know what he's doing. He's a best-selling author, after all.

Up next: War and Peace

Sunday, November 21, 2010

100 Days of Fantasy: Day 98

This is an ongoing series looking at books that have influenced me as a fantasy author.

Without Remorse
by Tom Clancy

WITHOUT REMORSEMost of Tom Clancy's military thriller novels tend to be told on a big scale. There's often some major threat to the United States, a threat which is dealt with a small group of people often lead by Clancy's Jack Ryan character. Not all of Clancy's novels fit this basic mold, but I'd say nine out of 10 of them do.

Not Without Remorse.

This is a personal tale, though it does span across decades and the world.

Enter Navy Seal John Kelly during the time of the Vietnam war. Six months after the death of his pregnant wife in an automobile accident, Kelly saves a prostitute from drug dealers. Only the drug dealers eventually find their vengeance, severely wounding Kelly with shotgun blasts and torturing and murdering the prostitute.

Eventually, Kelly heals, and helps himself to heal further through rigorous physical therapy. Then his own private war begins against the drug dealers.

But in all this mess, Kelly is called upon to return to Vietnam to recover several POWs.

The tale is more complex than that, but you get the gist of it. This is one of the more personal, though not autobiographical, tales from Tom Clancy and my favorite novel from him.

Clancy, who can write an action scene, is in top form in this book. His writing is tight, filled with action, though sometimes a little too righteous (though admittedly, this is a novel of personal vengeance, and you can't get much more righteous than that ... and Clancy's themes tend to be pretty righteous and self-righteous anyway).

Up next: Wizard's First Rule

Saturday, November 20, 2010

100 Days of Fantasy: Day 97

This is an ongoing series looking at books that have influenced me as a fantasy author.

The Two Towers
by J.R.R. Tolkien

Lord of the Rings, The: The Two TowersHasn't there really been enough talk, criticism and discussion about the Lord of the Rings?

But one thing I rarely see in all that discussion is the various benefits of each individual book in the series.

In my opinion, The Fellowship of the Ring is the best book of the trilogy. It contains great characterization, strong plotting and that strong feel Tolkien brings of doom overhanging a relatively benign world, specifically the artist-agricultural community of the hobbit characters.

The Return of the King also has many fine points. But for me, as a writer, I was always drawn to all that extra information included after the end of the actual story, all the history and linguistic stuff.

Then there's The Two Towers. This, the second novel in the trilogy, often seems to get short-shrifted. But that's kind of difficult to understand. For large sections of this book, not a whole lot seems to happen. SPOILER: Basically, pages upon pages are spent of Frodo and Sam, and later on Gollum, wandering through the woods or a swamp or parts of Mordor. It's just one, big long trek. For many readers, this is just downright boring. But for writers, there is much to be learned here.

Like what?

Much of that walking time in The Two Towers includes the inner thoughts, the inner struggle, with which Frodo is dealing as the carrier of the ring. To some, yes, all of this is boring. But to some readers, this is pertinent information, and it allows for building a bond with Frodo and the other characters.

Writers can learn from this. No, one does not want to be a boring writer, but still, there are lessons here on how and how not to proceed with the inner mental workings of a character or characters. The tension is building in Frodo as he nears Mount Doom with the ring. Will he have the strength to drop the ring to its own doom? Or will the ring consume Frodo, making him an element of evil?

Most readers know the tale and how it ends, as do many movie goers, so I won't give anything away. But I will warn fantasy writers not to dismiss The Two Towers.

Up next: Without Remorse

Friday, November 19, 2010

100 Days of Fantasy: Day 96

This is an ongoing series looking at books that have influenced me as a fantasy author.

The Last Unicorn
by Peter S. Beagle

The Last UnicornSometimes we all feel alone. And that is where the novel The Last Unicorn begins, with the protagonist alone.

The tale is about a unicorn who believes she is the last of her kind in the world. Feeling lonely and wondering what has happened to all her kin, she sets out on a journey to discover what has happened to all the other unicorns. Along the way she has myriad adventurers, makes new friends and a few enemies, and discovers much about her world and herself. Eventually, yes, she finds out what happened to the other unicorns, and it is not something nice.

Is this a tale of woe? No, not really. There definitely are some sad elements to this tale, but there is also some glory to be found in the end. Still, this is a tale of regrets, once it's all said and done.

The writing here is superb, without being overly difficult nor overly literary, though still not quite simple.

The characters are beautifully drawn by the author's words, giving the reader not only excellent visual ideas of these creations, but also an emotional enforcement that settles the characters in one's mind for a long time after reading the story.

I first came to this tale in 1982 when Rankin/Bass released an animated film of The Last Unicorn. I was enthralled by the tale, and being a young fantasy writer wannabe, I set out to find and read the book.

I'm more than glad I did, because it is one of the best single, stand-alone fantasy novels I've ever read. I've picked up a couple of Beagle's other books over the years, and while I found nothing truly wrong with them, I also did not find them extraordinary. Too bad, because I love The Last Unicorn. Maybe I should check out some of the author's other writings.

Up next: The Two Towers

Thursday, November 18, 2010

100 Days of Fantasy: Day 95

This is an ongoing series looking at books that influenced me as a fantasy author.

Lonesome Dove
by Larry McMurtry

Lonesome DoveI came relatively late to this 1985 Pulitzer-winning novel. The 1989 television movie came first for me, and I fell in love with the sweeping story and the epic characters.

Then I read the book.

And it put the TV movie to shame, as good as it is.

The plot is basically about some old-timers, former Texas Rangers, who decide to herd cattle from Texas to Montana. But that doesn't cover anything. There are multiple, complex sub-plots going on throughout this tale, and the characters themselves are quite complex and interesting. I won't say much more, because I don't like to give away too many details for readers who have yet to discover a book.

It's funny, in a way. Some of my favorite novels are Westerns, as are quite a few of my favorite movies. But, for the most part, I don't enjoy Western literature all that much. I've tried, but a lot of it comes off as overly simplistic and often unbelievable to me. That's why I usually stick with Western history in my reading instead of Western fiction.

Which is probably one reason I love this book, besides the quality writing. This tale is based upon real characters and real events, though the names have been changed and I'm sure events have been embellished upon for dramatic effect.

Still, if every Western were written like this one, I'm sure I'd be a much bigger fan of the literary genre.

Heck, I might even decide to write a few Westerns.

Up next: The Last Unicorn

Wednesday, November 17, 2010

100 Days of Fantasy: Day 94

This is an ongoing series looking at books that influenced me as a fantasy author

Encyclopedia of Western Gunfighters
by Bill O'Neal

Encyclopedia of Western GunfightersThis book is pretty much what the title tells you. It has many, many sections on most every known historical gunfighter and gunfight from the Old West of American history.

In many ways, this is not the most exciting of reading because it breaks events down and reports them pretty directly, almost as would a high school history book. But that's actually one of the things I love about this book. It doesn't romanticize gunfights of the Wild West, but tells them as history has recorded them.

There is some opinionated writing here from time to time, and the author does not get his facts correct every single time (at least in my opinion), but I'm willing to let much of that slide for the reason that much of the history of America's West isn't all that dependable anyway, especially when it comes to gunfights.

Of course you'll find the famous gunslingers and fights here. The O.K. Coral, obviously. Wyatt Earp. John Wesley Hardin. Wild Bill Hickok. Names most armchair historians would recognize. But you'll also find out quite a bit about lesser known gunfighters, and you'll likely even be surprised when some people and events pop up that you've never heard of.

The author went to some extremes to find out his information.

As can be expected, for the most part, these are not gunfights as Hollywood portrays them. In fact, there's maybe only three or four out of hundreds upon hundreds listed here that would be anything close to what Hollywood often portrays as a Western gunfight.

On the other side of that, there are a few gunfights here in which such wild and crazy things happen that it makes one think of the old saying that "truth is stranger than fiction."

If you want to write about this time period, or if you're just a history buff, I highly suggest you pick up this book.

Up next: Lonesome Dove

Tuesday, November 16, 2010

100 Days of Fantasy: Day 93

This is an ongoing series looking at books that influenced me as a fantasy author.

Ancient Inventions
by Peter James and Nick Thorpe

Ancient InventionsA fiction writer can learn a lot from non-fiction. In my case, mainly being a fantasy writer, I often learn quite a bit from books about history.

In this particular case, the book Ancient Inventions helped me learn just how intelligent and ingenious were ancient humans thousands of years ago.

Did you know ancient Romans had computers of sorts?

Did you know ancient Persians had batteries?

And did you know ancient Greeks had robots of sorts?

Probably not. Neither did I until read this book.

Now, I don't want to stretch things too far. The ancient computers and robots I mentioned above were not electrical, but mechanical devices, but they still qualify as rudimentary devices in their own right and would have been useful even a hundred years ago in the modern world.

And those batteries in ancient Persia? Archaeologists, historians and scientists are still not sure how or why ancient peoples in Persia had batteries. Did they even realize just what it was they did have?

As a fantasy writer, I feel sometimes those of us writing in pseudo-historical worlds sometimes rely a little too much on magic. We want something fancy to happen, so we say it was caused by magic. But in the real world, the ancient peoples were just as intelligent as we are today, they just hadn't been around long enough yet to make all the discoveries we consider commonplace today. For instance, mankind has only been using electricity commercially for not even two hundred years; that's a pretty short period of time, historically.

This book abounds with plenty of other inventions of ancient technologies, covering everything from ancient warfare to even sexual devices. If you want to learn, read this book. I'm sure there'll be more than a few surprises.

One last one: Brain surgery. Yes, the ancients could even perform brain surgery.

Up next: Encyclopedia of Western Gunfighters

Monday, November 15, 2010

100 Days of Fantasy: Day 92

This is an ongoing series looking at books that have influenced me as a fantasy author.

Watchmen
by Alan Moore

WatchmenSomeone is killing masked heroes. But who could it be? Since society banned super heroes some years back, the remaining super villains are all too old, dying off or being murdered themselves.

Thus is the basic beginning plot of the graphic novel Watchmen. And it's just the tip of the iceberg.

Watchmen takes place in an alternate universe of the 1980s in which Nixon is still president and technology is slightly advanced over what we have in the real world. Oh, yeah, and they have super heroes. Actually, all but one could be called masked heroes but not super heroes because they don't have any real super powers but are just great with their fists and have some special gadgets; but then you have Dr. Manhattan, who is the most powerful being on Earth, practically a god.

All of this will sound familiar if you've seen the movie version of Watchmen. But if all you know is the movie, then you're missing out on a lot. Yes, I'll grant you the movie isn't bad, and it has quality special effects, fair acting (sometimes actually good acting) and the plot is okay.

But the graphic novel version is by far superior when it comes to character development and plotting. You get to know the characters quite a bit more, and for the most part these are complex characters, not just cookie cutter figures. Also, while the plots between the film version and the graphic novel are quite similar, they also are quite different, especially near the climax.

And then there are tons of sub-plots and side stories and ... and just little things in the background ... that the movie doesn't touch upon.

I won't say Watchmen is my all-time favorite story told in a graphic format. Neil Gaiman has earned that, in my opinion. But Watchmen comes darn close, and it's told in a more mainstream (thus accessible) fashion than many other great graphic novels.

Up next: Ancient Inventions

Sunday, November 14, 2010

100 Days of Fantasy: Day 91

This is an ongoing series looking at books that influenced me as a fantasy author.

The Books of Magic
by Neil Gaiman

The Books of MagicIn 1989, DC Comics under its Vertigo title released a four-issue limited series of comic books known as The Books of Magic. A couple of years later that series was collected into a graphic novel format and then released to the reading public.

The series was popular enough that soon afterward the comic was made into a regular series.

The original four-part series was written by the excellent Neil Gaiman, with artwork by various artists, all quite good.

The original story lines concerns a British boy, Tim Hunter, who is contacted by four powerful mages of the modern age. Tim is told it is his destiny to be the most powerful wizard of his time, but is given the opportunity to turn aside from such a destiny. To help Tim make his decision, and to let him know some of what he's in four, each of these four mages takes Tim on a journey. One mage takes Tim to the past, and shows him many occult entities and events. Another shows Tim around the present world of magic. Yet another takes Tim to other mystical realms. And finally, Tim goes on a tour of the future.

Unfortunately, I've made this sound all rather dull. That's because I cannot compete, and have no intention of competing, with the likes of Neil Gaiman. It would be a foolish writer who would do so.

But imagine Harry Potter living in a much, much darker universe than that of Hogwart's. If you can imagine that, you'll have a pretty good idea of the world of Timothy Hunter.

Honestly, I find The Books of Magic to contain some of Gaiman's strongest writing every, in my opinion. And not all is dark here. There is also plenty of humor, though some of it is dark humor.

If you love graphic novels, reading about the occult or just like Neil Gaiman's writing, do yourself a favor and snag up The Books of Magic. You won't regret it.

Up next: Watchmen

Friday, November 12, 2010

100 Days of Fantasy: Day 90

This is an ongoing series looking at books that influenced me as a fantasy author.

Mysteries of the Unexplained
edited by Carrol C. Calkins

Mysteries of the UnexplainedThis non-fiction book has some personal importance for me. My grandfather bought it for me when I was about ten. He wasn't a man for literature, but he knew I loved books and each year he got me a subscription to Reader's Digest magazine and from time to time he would be me specific books that were published by Reader's Digest. This was one such book. My favorite, in fact.

Though I was young, I knew I wanted to be a fiction writer someday. At the time, my interests were mainly in fantasy, though I would discover horror in a few more years. I was also always interested in history, and things that seemed just a bit odd.

This book brought all of that together, my love for history, fantasy and things that were odd.

Mysteries of the Unexplained is a sizable book, physically and in its number of pages, and within there are tons and tons of articles about histories of world histories, covering such topics as the occult, ghosts, vampires, mysterious disappearances, mysterious historical figures, ESP, UFOs, alien abductions, etc.

For the young me, this was like having an encyclopedia of the supernatural. In one book, I could find out at least the basics on just about everything weird and unusual that I could ever want to know about. Keep in mind, this was decades before the World Wide Web came along, and while I could have found much of this information in a big library, it was a matter of pride for me that I had all this information at home in my room.

And it was good, interesting reading. No dusty, boring text here. There were also plenty of images to keep a boy's interest, from photos to maps to what today I realize is smart book design.

I couldn't have asked for anything better as a boy, and my grandfather realized this to some extent or other.

Even today, I'll turn to this book from time to time when I'm want a refresher about a piece of occult history, or a fact about a mysterious figure out of history, etc.

Thanks, granpa.

Up next: The Books of Magic

Thursday, November 11, 2010

100 Days of Fantasy: Day 89

This is an ongoing series looking at books that influenced me as an author.

The Midnight Sun
by Karl Edward Wagner

The Midnight Sun: The Complete Stories of KaneDuring his much-too-short life of only 49 years, Karl Edward Wagner was known for a few things. He was known as a horror/dark fantasy author, mainly the stories and novels involving his Kane character. He was also known as the editor of numerous horror anthologies. And he was known to party hard.

I first discovered the writings the Wagner through this book, The Midnight Sun, a collection of his Kane short stories. This particular book was published in the early 2000s by Night Shade Books, a known publisher of fine works of speculative fiction.

Why did I get this book? Well, I had heard of Wagner as an editor, but I had never experienced his actual writing despite being told by numerous sources that he was a quality author. Also, I myself tend toward mixing fantasy and horror in my own writings, and I had heard Wagner was known for this.

But the book was difficult to find when I went searching for it. No book stores had it. The publisher, at least at the time, was no longer printing it. And Wagner's older works, his novels, were particularly difficult to find, and I spent weeks upon weeks scouring used book stores for anything by Wagner. Then one night I was scanning through eBay, and sure enough, this book was available.

I snagged it up, and a few days later the book arrived in the mail.

I've been thankful ever since, and hold this book in high regard.

Wagner's short stories in this collection pinpointed particular times in the life of his Kane character, initially a swordwielding mage of extreme power who is immortal. Eventually the reader figures out this Kane is actually the Cain from the Bible, or at least some version of Abel's brother. The reader also discovers that Kane is quite ruthless and possibly insane. Also, being immortal, Kane exists in many worlds in many different times. Some of the stories in this collection are in another world seemingly far in the past, but a handful of the tales are set in modern times. Throughout these stories, Kane seems to have one goal, vengeance against God, and Kane often goes to extremes in searching out this vengeance.

Kane is rarely likable, though he can at times be somewhat honorable. Often he is ruthless to the point of betrayal, even to savagery.

He doesn't sound like a very nice person, now does he?

That's because he's not.

But his tales are still fantastic. The writing is strong here, mixing darker elements into fantastic worlds in a manner as strong as the writings of Lovecraft but sometimes with the pop culture knowledge of Stephen King. Many of these tales are not for the weak of heart, though a few are downright sentimental.

More than anything, Karl Edward Wagner showed me how horror elements could be mixed with Sword & Sorcery fantasy and still come off strong, quite strong, when done correctly. As a writer, I can only dream to be a hundredth as good as the tales in this collection.

Up next: Mysteries of the Unexplained

Wednesday, November 10, 2010

100 Days of Fantasy: Day 88

This is an ongoing series looking at books that influenced me as fantasy author.

The Return of the King
by J.R.R. Tolkien

The Return of the King: Being the Third Part of The Lord of the Rings (The Lord of the Rings Series, Part 3)Do I really need to go into The Lord of the Rings? I mean, come on, the thing is about as popular as the Bible anymore. It seems everyone has read the books, seen the movies, played the video games, etc.

It's a quest story to save the world, okay.

There, enough said on the plot. If you've lived under a rock for the last few decades and aren't at least familiar with The Lord of the Rings epic fantasy trilogy, then you probably should be. It's like Star Wars. A common part of pop culture everyone should be aware of.

Sound a little testy there, don't I? But I don't mean to be. And no, I don't hate this series of books or anything like that. I've enjoyed them immensely over the years, and read each of the books multiple times, but I kind of feel, "been there, done that, slew some orcs, bought the T-shirt."

It's like having to listen to Sweet Home Alabama or Stairway to Heaven one more time. I don't really need to.

Okay?

But that being said, The Lord of the Rings has a lot to teach writers, specifically fantasy writers. Heck, most modern fantasy fiction somehow or other has Tolkien to thank in one way, shape or form. If nothing else, his popularity and that of his books helped lead to the popularity fantasy literature enjoys today.

What can a fantasy writer learn from The Lord of the Rings, specifically the final novel of the trilogy, The Return of the King? How about immersion. What am I talking about? About making your world real to your readers. About bringing breath to your characters and textures to the world they walk in.

The story of The Lord of the Rings itself shows Tolkien's work about building a world and a plot that immerses the reader into his fictional reality. But more importantly, at least in my opinion, were all the extra appendices Tolkien stuck in at the end of The Return of the King. Remember that stuff? The pages of history about Middle Earth. The text about the languages of Middle Earth. The religions, etc.

I'm not saying a writer has to include all that information in his or her stories and novels, but some readers enjoy that stuff. And, at the least, the writer should be vaguely aware of that type of information. If not, then your world could feel sort of flat and dull to readers.

So, that's one thing I learned from Tolkien, and I thank him for it.

Up next: The Midnight Sun

Tuesday, November 09, 2010

100 Days of Fantasy: Day 87

This is an ongoing series looking at books that have influenced me as a fantasy author.

Fantastic Four #200
by Marv Wolfman

Fantastic Four #200I've never minced words about my being a writer who was influenced by comic books at a young age. If not for comic books back in the 1970s, I might never have become a lover of reading and eventually moved onto reading prose works.

But of all the comic book stories I read back then, one of my favorite has always been the multi-part tale that lead up to issue number 200 of the Fantastic Four comic book.

What happened? Doctor Doom, a longtime foe of the Fantastic Four, kidnaps some of the members of the super group. Then he uses them to clone himself a son, a super super-powered being who eventually has to be destroyed by Doom. When the finale finally arrives, Doctor Doom has to face off with Reed Richards, also known as Mister Fantastic, who is the leader of the Fantastic Four.

The battle was epic, at least back then for comic books. The winner? Well, it's not likely you'll run out and look up a copy of this old comic, so I'll tell you. Reed Richards. Like you couldn't have figured that one out, right?

Doom is driven insane by seeing thousands of images of his scarred face in broken glass, but don't worry. He'll get his act together again eventually and show up once more.

From a writer's point of view, this story taught me much, especially about writing epic stories. Everything in this tale was BIG and IMPORTANT. The characters were big, bigger than life. The plot was big, spanning continents. The battle at the end was big, featuring swinging fists and super powers and all kinds of crazy stuff.

Like I said, everything here was BIG, BIG, BIG!

And if you want to tell a solid story, a story that's bigger-than-life in scope and characters, you could do far worse than to study issues 197 through 200 of Fantastic Four, especially the ending in issue 200.

Just in case you didn't notice, the famed Jack Kirby did the artwork for the cover of this issue.

Up next: The Return of the King

Monday, November 08, 2010

100 Days of Fantasy: Day 86

This is an ongoing series looking at books that have influenced me as a fantasy writer.

World's Finest #256
by Dennis O'Neil

To be fair, Dennis O'Neil penned the main story of this comic book, and one other. World's Finest was made up of one main story plus a handful of shorter tales, and other writer's worked on those other stories.

But I'm focusing on the cover story.

A purple werewolf. From Krypton, Superman's home planet.

Will the world ever be the same?

Maybe, maybe not. But it didn't matter because it was just a comic book and we knew the heroes would win in the end. This comic book was from back in 1979, so it was before comic books had become dark and gritty and ... well, had become more adult. Not that there's anything wrong with more modern comics, because I've enjoyed many of them and consider some downright literature.

But I also have a fondness for the old-style, somewhat goofy comic books. Back when spandex was still considered hot stuff.

By today's standards, many of the story lines would be considered silly, sometimes awful, but not always. And still, even if some of the stories were a bit childish, they were written for the target audience, children.

As a writer, I've learned a lot from comic books over the years, and this particular issue of World's Finest always had a strong appeal to me because it was the first comic book I remember reading that included more than just one story and one main character or group of characters. Batman and Superman had the cover, but inside were also tales of Green Arrow, Black Lightning, Black Canary, Hawkman, Captain Marvel and a few other side characters.

To the nine-year-old version of me, this was more than just a comic book. It was a new universe, one that featured all possibilities and any kind of character.

And yes, it was all kind of silly.

Nuthin' wrong with that from time to time.

Sunday, November 07, 2010

100 Days of Fantasy: Day 85

This is an ongoing series looking at books that have influenced me as a fantasy author.

Foundation
by Isaac Asimov

Foundation (Foundation Novels)Imagine an empire so humongous it stretches across the Milky Way galaxy. Imagine a mathematical formula that can actually prove future events. Then imagine that formula predicts this galactic empire will soon crumble and a new dark ages lasting at least 30,000 years will follow.

If you can imagine all that, you get the gist of Foundation by Isaac Asimov and the beginning of a highly regarded series of books in the science fiction genre.

What happens next is a group of people try to find ways to circumnavigate, though not necessarily halt, the new approaching dark age.

Asimov isn't for everyone, and I can't admit to loving his prose. But his ideas for plots are top notch. This book, and the series of books that follow it, are proof of this.

Asimov's writing is often considered too dense for the casual reader, and there's some truth to this. If you like your science fiction with lots of action and ray guns and alien spaceships flying about, Asimov isn't for you. But if you like hard science fiction based upon hard, indepth science, this Asimov is probably right for you, especially the Foundation series.

I first stumbled upon this series back in the early 1980s. In a bid to expand my reading experiences, it was a selection I ordered from the Science Fiction Book Club. It was my first experience with hard science fiction, and though it wasn't enough to become a major fan of the genre, it was enough to make me realize the genius of author Isaac Asimov and the potential for hard science fiction.

From time to time I'll still read some hard science fiction, but as is the case with me and overly literary fiction, it's something I enjoy from an educational and intellectual viewpoint, but it's not something my mind can digest on a regular basis without some mental strain and outright boredom. So, I space out my readings of such material.

Still, Foundation and the rest of Asimov's books in this series are worth reading for the education alone. These novels can really get you thinking, and can open your mind to much of what science fiction has to offer at its deepest core.

Up next: World's Finest #256

Saturday, November 06, 2010

100 Days of Fantasy: Day 84

This is an ongoing series looking at books that have influenced me as a fantasy author.

The Girl Who Loved Tom Gordon
by Stephen King

The Girl Who Loved Tom GordonThe Girl Who Loved Tom Gordon is a small novel. Not only is it a short novel, a little larger than a novella, but it is small in scope. At least compared to many of the works of its author, Stephen King, who has been known to pen many a lengthy tale, sometimes into the thousands of pages.

I read an interview with King once in which he said something along the line that he wrote two types of novels, one with the focus upon a single character and another which focused upon many characters.

The Girl Who Loved Tom Gordon focuses upon one character, 9-year-old Trisha. The plot is quite simple. During a hiking trip with her mother and brother, Trisha becomes lost in the deep woods. Her story is one of survival.

But it's also a bit more than that. For an adult, this would be a story about madness, the madness of facing one's imminent death while stranded in an isolated place with little food, water, shelter or protection of any kind. For Trisha, the tale borders on madness, but is more about a child's willingness to adapt and overcome one's own fears.

This is by no means one of King's most popular novels. In truth, I've run across a number of his fans who detest this book. I'm not one of them. Actually, I think it's one of the best things he wrote in the 1990s, the book itself having been released in 1999.

Why do I like this book so much? Despite the darkness it sinks into, especially concerning a child, it is in the end one of the most uplifting tales I've ever read. It is about the spirit of survival in all of us, a spirit of survival that focuses upon the humanity in all of us, not because of ties to any particular nation or religion or what-have-you. It is a novel of high spirits, of the links that can bring all of us together as human beings.

That is why I love this book.

And since it concerns a child, I'll let the reader know that despite the horrific elements of this tale, it is one most appropriate to a child. Should you read it to your own kid? Well, read it yourself and judge for yourself. I personally wouldn't have a problem reading it to a 10-year-old, but I tend to think kids are much more versatile than most of us give them credit. But then, I don't have kids of my own, so who am I to say?

Oh, and if you need to know who Tom Gordon is, he was a professional baseball player, at one time a pitcher for the Boston Red Sox, of which King is a huge fan. And yes, he is quite important to this story. Not as a character, but as a figure of myth, as someone to believe in, almost as an Arthurian figure in some ways, or perhaps a Merlin figure would be more appropriate.

Up next: Foundation

Friday, November 05, 2010

100 Days of Fantasy: Day 83

This is an ongoing series looking at books that have influenced me as a fantasy author.

Scaramouche
by Rafael Sabatini

Scaramouche; a romance of the French revolutionScaramouche is in interesting novel in that in many ways it seems to mirror the works of Alexandre Dumas, specifically the novel The Count of Monte Cristo. Here we have a story set in France at the beginning of the French Revolution. Also, this is a tale of one-man's vengeance against an authority figure who slew a friend. And there's lots of swashbuckling adventure, as well.

Considering the similarities between the two novels, it is not uncommon to compare Andre-Louis Moreau, the protagonist of Scaramouche, with Edmond Dantes of The Count of Monte Cristo. In my opinion, Dantes is the more haunted and more drastic figure, though Moreau might be the better swordsman. Also, Dantes depends much more upon his own resources, whereas Moreau seems to have a bit of serendipity that comes to his rescue from time to time.

That being said, Scaramouche is also a darn fine read. Though Sabatini's plots are not quite as complicated or strong as those of Dumas, his characters are almost as likable and his writing style is more fluid and more easily digestible by modern readers. Also, I would give Sabatini a slight edge when it comes to action scenes; Dumas could write quite well a good sword fight, but for swiftness and pure joy of action, I give a slight nudge to Sabatini.

To be honest, I would like to have read more of this author's work, and so far Scaramouche is the only work of his I've gotten into. At the very least, I'd like to read Sabatini's Captain Blood, though for what it's worth I have seen some of the movie versions.

I've been asked before, what is the title in reference to? Scaramouche is the name of a clown-like figure from Italian commedia dell'arte originally from the 17th Century. The commedia dell'arte was sort of a traveling, artistic acting theater, of which there were many in the 16th through 18th centuries in Europe. The main character in the novel Scaramouche eventually joins such an acting troupe and dons the mask of the comedic figure Scaramouche.

If you love historical fiction, especially swashbuckling adventure fiction, do yourself a favor and read this novel by Rafael Sabatini. You won't come to regret it. And if you're one of those people who is leery of reading the classics, have no fears here. Though Sabatini was writing early in the 20th Century, his prose comes off as pretty modern and easy to read.

Up next: The Girl Who Loved Tom Gordon

Thursday, November 04, 2010

100 Days of Fantasy: Day 82

This is an ongoing series looking at books that have influenced me as a fantasy author.

The Count of Monte Cristo
by Alexandre Dumas

The Count of Monte Cristo (Penguin Classics)I can think of no character in all of literary history who is more obsessed, more driven than Edmond Dantes. Batman comes close.

You don't know who Edmond Dantes is?

Well, allow to offer up a brief synopsis (very brief) of the novel that is The Count of Monte Cristo.

Edmond Dantes, a successful young sailor, returns home to France in the early 19th Century with plans to wed the love of his life. Instead of the expected happiness, several of Edmond's friends have grown jealous of his life and go to the authorities to accuse Edmond of being a spy for Napoleon. Edmond is sent to prison, his life ruined and basically over. But in prison he makes friends with another inmate, an old man who tells Edmond of a secret treasure hidden away on the island of Monte Cristo. After the old inmate dies in prison, through some twists and turns Edmond manages to escape. Then he goes to the island and discovers this treasure, so huge it would make any kings of Europe envious. Soon a mysterious stranger, the Count of Mont Cristo, appears in Paris and begins to make the rounds as to "coming out in society." To give away more would be a disservice to the reader, but let's just say poor Edmond is no longer poor and goes to extremes to find his revenge against his old "friends."

Unlike most of the film versions I've seen of this tale, the novel does not have the happiest of endings. The tale is sort of a tragedy, but one in which the protagonist wins out, though finds that what he has won was perhaps not truly worth everything he went through to achieve it.

There are no simple endings here. The good guy doesn't win the girl and everything else. In other words, this is a lengthy, complicated tale that will make you think in the end. All the while giving you a darn fun reading experience. There's action to be found here, sword fights and the like, as well as intrigue and skulduggery. There's also a bit of comedy here and there, but out-and-out murder at times.

Most of Dumas' longer novels touch upon many facets of the human existence, and this one is no exception, though it is perhaps the darkest of his longer writings.

Up next: Scaramouche

Wednesday, November 03, 2010

100 Days of Fantasy: Day 81

This is an ongoing series looking at books that have influenced me as fantasy author.

Depraved
by Harold Schechter

Depraved: The Definitive True Story of H.H. Holmes, Whose Grotesque Crimes Shattered Turn-of-the-Century Chicago (Pocket Star Books True Crime)During the 1980s and on up until about the mid-1990s, I read tons of non-fiction books about crime, most of it about serial killers and mass murderers. Why would I do such a thing? Well, I wanted to be a horror novelist. I felt I was doing research.

Of all the books I read about such depraved individuals, several stood out. One of those was this book, Depraved, by Harold Schechter.

The book is about the mysterious figure known as H.H. Holmes but who had numerous aliases. In the late 19th Century, Holmes was a respected pharmacist in Chicago. He was so respected and did so well with his business that he could afford to build himself a huge building in Chicago that was dubbed his "castle." Holmes would rent rooms to tenants, many of whom were never seen again afterwards.

But that was just the beginning.

Without going into all the details (hey, I want you to read the book, if you're interested), Holmes ends up splitting a family apart while pulling a scam on them, then executes nearly all of them one by one. By now Holmes is on the run from the police who had gained entry to Holmes' castle and found all kinds of gristly things.

Such as tons of bones in the basement. Secret rooms. Secret doors. Secret windows to look into rooms. Rooms that had gas lines run into them, and the gas was something that would not people unconscious. Acid. A giant furnace. An impromptu surgical suite in the basement ... basically, a torture and dissection room.

Holmes was eventually captured, and while in prison awaiting his trial he actually wrote a book about himself. As can be expected, he was eventually found guilty and executed.

How many people did he kill? No one knows for sure. Maybe hundreds. Maybe thousands.

But as a writer, this book showed me the true depths of depravity to which a human being could stoop. I still draw upon it from time to time for inspiration in my horror writings.

Up next: The Count of Monte Cristo