What this means is, I've been painting more covers, giving it a try. I'll try to upload some more. Time will tell if this helps even further with sales. I hope it does. A couple of my practice covers are at right.
In other painting news, I've been contacted by a beginning children's writer who is considering commissioning me to do a cover for her first e-book. This was quite a shock to me. To repeat, I'm not a good artist, and I make no claims to being one. Painting is more of a hobby to me, something fun to do while listening to music. Becoming a cover artist is not in the works for me, not something I'm interested in pursuing for other writers; even if my skills improved a whole bunch (which is not impossible with more practice), I don't think I'd want to become a regular cover artist, not unless maybe the pay was really, really good. Maybe. Still, I put something together and e-mailed a copy to the writer. I'm waiting to hear back from her, and if she approves my painting, then we'll move ahead. I'm not charging her much, only $25, but as I've pointed out, I'm not a professional artist and have no real desire to become one. If she uses my painting for her cover, I'll make sure to include that cover here with a link.
Also, I'm having to buy new paints for the first time in more than a decade. What I have found is that paints have become much more complex, with a lot more companies n the mix, and a lot more different styles of paint from the older companies. Used to be there were only a few companies that put out acrylic paints, and maybe a couple of dozen different colors with a handful of other, oddball colors one would rarely, if ever need. Now there are hundreds upon hundreds of different colors, and even then there are different quality levels of the paint. As with many things, I'm finding you get what you pay for. The cheaper acrylic paints tend to be quite watery, almost like water colors, and don't cover the canvas well, at least not without multiple coatings (which goes against saving money by buying cheaper paints). The top of the line paints I'm finding a little too heavy, too thick for my preference. So, for the most part I'm sticking with middle-of-the-road paints, ones not for beginners but not necessarily for professional artists. It's working, so far.
I've also been thinking about painting on other backdrops than stretched canvas or canvas board. One problem I run into is that I don't have a good enough camera for shooting pics of my art, so I have to paint small and scan in directly on my flatbed scanner. This is not optimal. The light from the scanner can affect the painting. The texture of the canvas shows through. So, since I can't currently spend big time money on a big time camera, what I need, I'm going to try painting on smoother surfaces, ones that won't show a texture when I scan. I've considered wood, but it's a bit pricey for what I'll be doing. There are hard flat, art boards specifically made for acrylic painting, and I'm considering giving them a try once I run out of canvasses; still, I can see some drawbacks to using these boards, in large part because they are smooth and painted white, which will be difficult to cover with the few cheap paints I still have. I really need to get a good camera, though, because often I think one of my paintings looks better on canvas than it does after I've scanned it in, a lot of the detail work being lost, especially with lighter colors.
So, that's life in my world of acrylic painting of late.
